Case study VFX/Virtual reality in Film production: “The Wave” (“Bølgen”)
- Puts Hollywood Disaster Movies to Shame
TIFF 2015
PERRI NEMIROFF | COLLIDER
photo©Eirik Evjen
PRELIMINARY PROGRAM:
Dave Stump ASC - about ACES in general
John Christian Rosenlund (DOP of ’The Wave') - introduction to «the wave» Type of camera, lights, storyboard and pre-viz, under water, metadata and dailies and why he pushed for ACES.
Lina Nordquist (Production Designer on "The Wave") Ideas behind, Low budget restictions, Cooperation with camera and VFX
Cem Ozkilicci (Senior Colourist on 'The Wave') - a colourist’s experience - difference in using DPX and ACES and the difference in 4K and 2K, pros and cons.
Lars Erik Hansen, (VFX Supervisor on ’The Wave') - why does the VFX looks so damn good?
Daniele Siragusano (FilmLight). The perfect workflow for ACES and their new tools.
still-frame from "The Wave". In courtesy of Fantefilm and Gimpeville. All rights reserved
"It was about time Scandinavia made its first disaster movie, and the Norwegian tsunami thriller The Wave (Bolgen) makes up for the long wait. Spectacular scenery of fjords and craggy, snow-capped peaks proves as beautiful to look at as it is deadly, when a mountain crumbles in a massive rockslide and creates a cataclysmic tsunami"
'The Wave': TIFF Review
5:07 AM PDT 9/12/2015 by Deborah Young
Laterna@Laterna.no
Telephone +47 9209 1400
Location: Dronningensgate 20
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